![]() Role of imagery in Andreas-Salomé’s significant form of thought that can be traced back to her early work from The extraordinary passage at the beginning of her Rilke book illuminates the crucial The poet combined with both aesthetically motivated and psychoanalytically informed contemplation. the crafting of her Rilke memorial: a recollection of the life of The process that Andreas-Salomé associates with Nachtrauerīecomes the point of departure of her creative act, i.e. Insichtbarkeittreten, a “coming-into-appearance” that constitutes a new imageryĮxperience and form of recognition stimulated by a Herantreten, the seemingly stepping Thus, death entails not merely loss, but simultaneously generates Nachtrauer is not just the emotional affect of grief, but also the visualizing of theĭeceased that was not possible as long as he or she was alive. Loss of a loved one she names this process Nachtrauer (postmourning). Passage of this book, she contemplates-in highly suggestive ways-the process of mourning that follows the immediate ![]() Unique coupling of recollection with her own reflections on Rilke’s poetry and psychoanalytical insight. In 1928, Lou Andreas-Salomé published a book on her lifelongįriend, the poet Rainer Maria Rilke, who had passed away in December of 1926. To email * Your name * Your email * Comment Please tick the box below * The process that Andreas-Salomé associates with Nachtrauer. Thus, death entails not merely loss, but simultaneously generates Insichtbarkeittreten, a “coming-into-appearance” that constitutes a new imagery experience and form of recognition stimulated by a Herantreten, the seemingly stepping toward us of the departed one. According to Andreas-Salomé, Nachtrauer is not just the emotional affect of grief, but also the visualizing of the deceased that was not possible as long as he or she was alive. In the opening passage of this book, she contemplates - in highly suggestive ways - the process of mourning that follows the immediate loss of a loved one she names this process Nachtrauer (postmourning). Her portrait of Rilke displays a unique coupling of recollection with her own reflections on Rilke’s poetry and psychoanalytical insight. ![]() In 1928, Lou Andreas-Salomé published a book on her lifelong friend, the poet Rainer Maria Rilke, who had passed away in December of 1926. ![]()
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